Imagining a “garden at dusk” led me to paint several layers of dusky colors in a very light value on the entire surface of the cloth, using soy milk and natural pigments. I would never have used the vintage white damask formal linen tablecloth for dining purposes. My cloth is long enough for two instances of the stencil, which was created from a full sheet of stencil paper. The finished image will be approximately 16” x 30.” Placing my stencil on the cloth before pasting allows me to see where the background colors fall within the stencil design. Before pasting the design (rice paste through the stencil), the stencil and the bamboo stretching sticks–“shinshi,”–soak in water.
I’m offering a beginning katazome workshop in my home this September, over 2 consecutive weekends, Sept. 7-8 and Sept. 14-15. Please check my [workshop page] for complete details.
NOTE: as of 8/23 the workshop has been cancelled.
The workshop is limited 4 students. I’m wishing for warm sun so we can work outside as much as possible!
Last week I began to work on a katazome piece, combining stencils in a way I have not done before. Decades ago a large window in our front porch was covered over with framework and stucco when a garage was put in. A former owner made a loose landscape painting on canvas, and bolted it to the wall to cover up the ugly 3×5′ spot. I’ve wanted to replace this with something more meaningful. So I made a composition using 3 different stencils on a piece of 12 oz. cotton duck/canvas. The photo below shows the canvas after these stencils have been pasted. None of the stencils were designed for the compositional space. While working, I masked some areas and allowed other areas to dry partially (i.e. to the not-so-sticky state) before pasting right next to them. This was a tricky process but I think the weight of the canvas made it easier.
Once the paste was dry, I painted on the natural pigments rather freely, softening the hard edges where the rectangular parts of the composition meet. My intention is to paint a stanza of a favorite poem over the central water pattern.
In a week I’ll rinse the paste off and share the result here.
in the studio
I’m getting back into the studio finally after starting a new job this
fall. I thought these (below) were going to be napkins for the household
(estate sale vintage linen damask) but they are turning into something
far more interesting – don’t know what yet. Started with ecoprint
bundles around my favorite fall leaves simmered in madder; then painted
some natural pigments on that … followed by a rice paste layer of my
water stencil, using some thin tracing paper as a mask. More pigment
layers and curing to come.
My daily walks along the shore frequently appear into my work.
From December 6 – January 15th I will be in a 3-person show in a pop-up/window gallery in downtown Minneapolis. You can find the details of the show by clicking the postcard image, below.