2011 Lunar Calendar giveaway: katazome on kozo

I rinsed my 2011 lunar calendar today. Not-hurrying gave the colors a chance to cure. Not hurrying is always a wise approach.
To rinse these, I floated them in  shallow water in the bathtub, front-side down (just 2 at a time). After about an hour, I drained the water, and then gently placed them face-up in the tub. I poured water from a pitcher over the top surface to rinse all the rice paste residue away. I did not touch the paper with anything other than the water. Finally, I placed them face-up on a towel to air-dry. The operative word here is GENTLY.

Here are the results:

Below is a close-up of the bottom portion (a wee bit darker image). The ampersand in July is my way of calling attention to the extra NEW moon that month (formerly I said blue, I meant NEW.)

Layers explained:

1. Paper: handmade Japanese Hosokawa kozo, from Wet Paint Art in St. Paul. Final size of print: approx. 9×22″
2. Rice paste for the letters, numbers and moon grid – one stencil.
3. Light blue for the background (e.g. behind the rabbit). Colors consist of watercolor paints thinned with soy milk, rolled on a gelatin plate and transferred to the paper by placing the paper on top of the plate, and gently rubbing with my hand to ensure contact.
4. Rice paste for the image of the rabbit.
5. Three more layers of dark blue.
6. Some hand painted highlights.
7. Layer of burnt sienna on rabbit, from a cutaway of the original gelatin plate.
8. Two gentle mistings of soy milk, drying in between (not sure this was necessary).

To enter the giveaway, please post a comment below, consisting of three words or phrases that best express your intentions for the new year. I will choose one winner at noon CST on Valentine’s Day and add a comment to congratulate the winner. The rest of the prints (9 of them) will be added to my shop over the weekend.

Here are my three for year of the rabbit: take notice, explore playfully, loosen my grip …

Good luck!

Lunar calendar print part 3: still playing

I decided to add one more layer, a burnt sienna, over the rabbit portion of the calendar image. To do this, I placed my rabbit stencil under the glass and cut away the gelatin plate. I inked the remaining part, and lined up the print with a couple of strategically placed pieces of masking tape. No need for super-accurate registration — this is a very soft-edged process.

I still wonder if the paint will wash off the paper along with the rice paste resist. After curing it for several days, a bit of blue rubbed off on my damp finger, so I decided to mist it with soy milk, let it dry, then mist it again.  I will wait three days and wash it out on Wednesday Feb. 9.

Lunar calendar print, part 2: haste makes waste!

After 2 layers of paste, and 3 layers of color, this morning I floated one of my lunar calendar prints in water to dissolve the rice paste. After swishing it a bit, I could see that the top 2 layers of color were washing away, leaving only the first blue that I applied.

soaking paste off

My hunch is that I washed it out too quickly, and since the first blue was applied about 3 days ago, the soy on that layer had sufficient (just barely?) time to cure. Time is a variable for katazome on fabric — you must allow the soymilk to cure/oxidize for several days at the very least, locking the colors into the fibers. I think this must be true for paper as well.

Here’s the difference between the washed print and one still curing in peace and quiet.

Tonight I will add a final “glaze” of soymilk on the remaining prints, adding a bit more Payne’s gray while I’m at it (this color looks like indigo) and then allow the prints to cure for 3 or 4 days before washing them out. I saved my gelatin plate anticipating I might need it again!