I will be teaching a 3-day katazome workshop at Grand Marais Art Colony this summer. See more info below.
Bees, Bears, and Blossoms detail
I’m looking forward to teaching a 3-day workshop at Grand Marais Art Colony on the North Shore of Lake Superior. This is a wonderful place to be inspired and learn something new. Registration is now open.
Find out more here:
A belated Happy New Year, 2019 – Year of the Pig!
After a late start I have finished my 2019 Year of the Pig Lunar Calendar wall hanging. I tried a different type of stencil paper, called Wax-O stencil, but it didn’t hold up so well. It is a very heavy waxed paper, a dream to cut, but did not hold up to the wet rice paste resist. Consequently, I only made 4 of these, 3 of which are for sale here in my online shop.
2019 is off to a good start for me. I’ll be teaching a 3-day beginning katazome class during the last weekend in June at Grand Marais Art Colony on the North Shore of Lake Superior. Please watch my blog for further updates. Better yet, add your email address into the form at right and you will receive blog updates through email.
I’m offering a beginning katazome workshop in my home this September, over 2 consecutive weekends, Sept. 7-8 and Sept. 14-15. Please check my [workshop page] for complete details.
NOTE: as of 8/23 the workshop has been cancelled.
The workshop is limited 4 students. I’m wishing for warm sun so we can work outside as much as possible!
Last week I began to work on a katazome piece, combining stencils in a way I have not done before. Decades ago a large window in our front porch was covered over with framework and stucco when a garage was put in. A former owner made a loose landscape painting on canvas, and bolted it to the wall to cover up the ugly 3×5′ spot. I’ve wanted to replace this with something more meaningful. So I made a composition using 3 different stencils on a piece of 12 oz. cotton duck/canvas. The photo below shows the canvas after these stencils have been pasted. None of the stencils were designed for the compositional space. While working, I masked some areas and allowed other areas to dry partially (i.e. to the not-so-sticky state) before pasting right next to them. This was a tricky process but I think the weight of the canvas made it easier.
Once the paste was dry, I painted on the natural pigments rather freely, softening the hard edges where the rectangular parts of the composition meet. My intention is to paint a stanza of a favorite poem over the central water pattern.
In a week I’ll rinse the paste off and share the result here.