Lunar calendar print part 3: still playing

I decided to add one more layer, a burnt sienna, over the rabbit portion of the calendar image. To do this, I placed my rabbit stencil under the glass and cut away the gelatin plate. I inked the remaining part, and lined up the print with a couple of strategically placed pieces of masking tape. No need for super-accurate registration — this is a very soft-edged process.

gelplate

I still wonder if the paint will wash off the paper along with the rice paste resist. After curing it for several days, a bit of blue rubbed off on my damp finger, so I decided to mist it with soy milk, let it dry, then mist it again.  I will wait three days and wash it out on Wednesday Feb. 9.

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Author: Kit

I use the materials and techniques of the Japanese art of katazome (paste resist stencil dyeing) to capture my experience of nature. My work celebrates daily meetings with the wild birds, plants, and lake breezes of my local urban surroundings.

2 thoughts on “Lunar calendar print part 3: still playing”

  1. What kind of paste recipe are you using for paper? I have had good luck with wheat flour and rice bran.

  2. I’m just using the usual paste. I had some left over and wanted to try this. It was a bit thinner than I use for cloth.

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