Lunar calendar print, part 2: haste makes waste!

After 2 layers of paste, and 3 layers of color, this morning I floated one of my lunar calendar prints in water to dissolve the rice paste. After swishing it a bit, I could see that the top 2 layers of color were washing away, leaving only the first blue that I applied.

soaking paste off soaking paste off

My hunch is that I washed it out too quickly, and since the first blue was applied about 3 days ago, the soy on that layer had sufficient (just barely?) time to cure. Time is a variable for katazome on fabric — you must allow the soymilk to cure/oxidize for several days at the very least, locking the colors into the fibers. I think this must be true for paper as well.

Here’s the difference between the washed print and one still curing in peace and quiet.

Tonight I will add a final “glaze” of soymilk on the remaining prints, adding a bit more Payne’s gray while I’m at it (this color looks like indigo) and then allow the prints to cure for 3 or 4 days before washing them out. I saved my gelatin plate anticipating I might need it again!

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Author: Kit

I use the materials and techniques of the Japanese art of katazome (paste resist stencil dyeing) to capture my experience of nature. My work celebrates daily meetings with the wild birds, plants, and lake breezes of my local urban surroundings.

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