Working outside (and inside)

Indigo dyed linen
Indigo dyed linen

July 15th — and I’ve finally set up a way to stretch my work in our little old gazebo. (Both sides of my basement are full of stretched work at the moment, so this is a helpful way to work on more pieces simultaneously.) This evening I’m soy sizing some small pieces (zig-zagged together making a long piece).

Sailboat cleats screwed into the wood secure the harite (stretchers), but that’s my brush hanging there.

the cleat, the brush (jizomebake)
cleat with jizomebake brush

Many moons ago I painted these vintage linen napkins with Earthhues natural dye extracts (logwood and madder) thickened with gum tragacanth. I was aiming for some background visual texture. The results were disappointing, so I tucked them away. Then, earlier this summer using some of my small stencils, I pasted-then-dipped them a few times in indigo. Now I like them. The under layer of dye peeks through in certain places.

water, grass, egret, indigo dyed vintage linen
water, grass, egret, indigo dyed vintage linen
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Author: Kit

I use the materials and techniques of the Japanese art of katazome (paste resist stencil dyeing) to capture my experience of nature. My work celebrates daily meetings with the wild birds, plants, and lake breezes of my local urban surroundings.

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